![]() The ambition for CATS is to create a “library” of possible technosignatures. He and a few astronomy colleagues around the country formed the group Categorizing Atmospheric Technosignatures, or CATS, which NASA has since awarded nearly $1 million in grants. ![]() The result, at least for Frank, has been a new direction for his work, as well as some money to fund it. “Everybody was sort of there with wide eyes - like, ‘Oh, my God, is this really happening?’” NASA has a long history of staying out of the extraterrestrial business. “That meeting in Houston was the dawn of the new era, at least as I saw it,” Frank recalls. The goal was to get the 60 researchers in attendance to think about defining a new scientific field that, with NASA’s help, would seek out signs of technology on distant worlds, like atmospheric pollution, to take just one example. In 2018, Frank attended a meeting in Houston whose focus was technosignatures. At the same time, the search for intelligent life has turned in a novel direction. Frank points out that the search for signals from deep space has, over time, become more agnostic: Rather than looking for direct calls to Earth, telescopes now sweep the sky, searching billions of frequencies simultaneously, for electronic signals whose origins can’t be explained by celestial phenomena. “That played into this whole idea of aliens as salvation - you know, aliens were going to teach us things,” Adam Frank, an astrophysicist at the University of Rochester, told me recently. In some early academic papers on the topic, dating to the late 1950s, scientists even posited that these extraterrestrials might be interested in chatting with us. Would other planets’ civilizations be like ours? Would they create the same telltale chemical and electromagnetic signs - what scientists have recently begun calling technosignatures - that Galileo detected? The search for intelligence beyond Earth has long been defined by an assumption that extraterrestrials would have developed radio technologies akin to what humans have created. And all the while, billions of gadgets and antennas cast off a buzzing, planetary swarm of electromagnetic transmissions. Atmospheric gases ebb and flow - evident today not only in rising concentrations of carbon dioxide and methane, but also in clouds of floating industrial byproducts. Lights blaze, and heat islands glow in paved-over urban areas. Our technology creates an intriguing mess. It also allowed him to contemplate what a spacecraft might find when looking at a far-off planet for signs of intelligent life. The astronomer Carl Sagan, a member of Galileo’s science team, called the maneuver the first flyby in our planet’s history. This gave its engineering team an opportunity to test the craft’s sensors. ![]() Along the way, it flew around Earth too - twice, in fact, at altitudes of 597 and 188 miles. After it left the shuttle, though, Galileo headed in the other direction, turning toward the sun and circling around Venus, in order to slingshot around the planet and pick up speed for its journey to the outer solar system. Arrayed with scientific instruments, Galileo’s ultimate destination was Jupiter, where it would spend years in orbit collecting data and taking pictures. 18, 1989, it carried the Galileo in its cargo bay. When the space shuttle Atlantis lifted off from the Kennedy Space Center on Oct. This accent is a kind of blend of British and American English that was especially popular in Hollywood’s Golden Age it’s the strange old way of speaking you’ll hear when you watch any kind of old movies, but it was more recently used by Darth Vader and many Disney villains.To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android. Judah’s singing and rapping vaguely resemble the Mid-Atlantic accent, hence the memes on social media that he sounds similar to cartoon villains, and indeed, his flow sounds like it could be out of The Hunchback of Notre Dame or Aladdin. Though Judah’s is perhaps even more distinct from ordinary trap, this kind of musical syncretism can be heard in artists like Ghostemane and $UICIDEBOY$. ![]() With macabre lyrical content only fundamentally similar to modern rap music, Judah creates his own unique, edgy style, infused with emotional enunciation and unorthodox word choice (namely, much less slang) that mixes mainstream trap music with nu-metal, rock, and other markedly different genres. The song exploded in popularity initially when it was used in a lot of videos and became trending on TikTok. Judah’s flow harkens to Disney villains of yesteryear, whilst his demonic lyricism invokes ideas of unholy bloodlust. Mario Judah’s “Die Very Rough” is a marvel of medieval rap.
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